Tessa Waters – How to be a Lady
If you thought performing a solo comedy show was gutsy, most people would be in strong agreement. Now try to imagine doing the whole thing in just your underwear. This is just what Tessa Waters spends her entire show, How to be a Lady, doing. Unfortunately, as a comedian, Tessa falls short. As a performer, however, she excels.
Many of Waters’ jokes fell flat during her performance, and it is reasonable to say that it is certainly not the most amusing show of the festival. Frequent use of self deprecating humour served her no good or purpose; instead of making the audience laugh, it just made them feel uncomfortable for most of the time. And not a good uncomfortable – that shifting in your seat, fiddling with your jacket and staring at your feet sort of uncomfortable.
As an actor, however, Waters is fantastic. Interestingly, she seldom spoke during her act. Instead, she relied entirely on herself as a performer to convey the storyline. Aided by music, and often by props as well, Tessa was able to achieve a surprisingly comprehensive plot; however, she extracted only infrequent laughter from the audience. The laughs she did gain throughout her act all derived from her acting, and physical comedy. Her attempts to engage and include the audience were perhaps the best elements of the show, as they provoked an intimate atmosphere and lessened the awkward environment.
While Waters’ show is certainly unique, it unfortunately falls flat on too many occasions to become a stand out act at this year’s festival.


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You must have come on a flat night. The night my wife and I attended there was non-stop laughter during the whole show. The acting really enhanced the comedy and people of all ages responded to the poignancy of the piece and left with a very satisfied feeling. Cweck out the review at the Groggy Squirrel for corroboration.
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